Forgetfulness
and Genius
Forgetfulness
is one of the characteristics of genius. It is said that Newton
once rammed his niece's finger into his pipe; when he left his room
to seek for anything he usually returned without bringing it. Rouelle
generally explained his ideas at great length, and when he had finished,
he added: "But this is one of my arcana which I tell to no
one." Sometimes one of his pupils rose and repeated in his
ear what he had just said aloud; then Rouelle believed that the
pupil had discovered the arcanum by his own sagacity, and begged
him not to divulge what he had himself just told to two hundred
persons. One day, when performing an experiment during a lecture,
he said to his hearers: "You see, gentlemen, this caldron over
the flame? Well, if I were to leave off stirring it, an explosion
would at once occur which would make us all jump." While saying
these words, he did not fail to forget to stir, and the prediction
was accomplished; the explosion took place with a fearful noise:
the laboratory windows were all smashed, and the audience fled to
the garden. Sir Everard Home relates that he once suddenly lost
his memory for half an hour, and was unable to recognize the house
and the street in which he lived; he could not recall the name of
the street, and seemed to hear it for the first time. It is told
of Ampere that when travelling on horseback in the country he became
absorbed in a problem; then. dismounting, began to lead his horse,
and finally lost it; but he did not discover his misadventure until,
on arrival, it attracted the attention of his friends. Babinet hired
a country house, and after making the payments returned to the town,
then he found that he had entirely forgotten both the name of the
place and from what station he had started.
One
day Buffon, lost in thought, ascended a tower and slid down by the
ropes, unconsciour of what he was doing, like a somnambulist. Mozart,
in carving meat, so often cut his fingers, accustomed only to the
piano, that he had to give up this duty to other persons. Of Bishop
Munster, it is said that, seeing at the door of his own antechamber
the announcement: 'The master of the house is out', he remained
there awaiting his own return. Of Toucherel, it is told by Arago,
that he once even forgot his own name. Beethoven, on returning from
an excursion in the forest, often left his coat on the grass, and
often went out hatless. Once, at Neustadt, he was arrested in this
condition, and taken to prison as a vagabond; here he might have
renmained as no one would believe that he was Beethoven, if Herzog,
the conductor of the ochestra, had not arrived to deliver him. Gioia,
in the excitement of composition, wrote a chapter on the table of
his bureau instead of on paper. It is told of Ampere that having
written a formula, with which he was preoccupied, on the back of
a cab, he started in pursuit as soon as the cab went off.
Hagen
notes that originality is the quality that distinguishes genius
from talent. Talent aims at a point which appears difficule to reach;
genius aims at a point which no one perceives. Genius divines facts
before completely knowing them; thus Goethe descrived Italy very
well before knowing it; and Schiller, the land and people of Switzerland,
without having been there. And it is on account of those divinations
which all precede common abservation, and because genius, occupied
with lofty researches, does not possess the habits of the many,
nad because, like the lunatic and unlike the man of talent, he is
often disordered, the man of genius is scorned and misunderstood.
Ordinaty persons do not perceive the steps which have led the man
of genius to his creation, but they see the difference between his
conclusions and those of others, and the strangeness of his conduct.
Men
of genius have no fiercer or more terrible enemies than the men
of academies, who poses the weapons of talent, the stimulus of vanity,
and the prestige by preference accorded to them by the vulgar, and
by governments which, in large part, consist of the vulgar. There
are, indeed, countries in which the ordinary level of intelligence
sinks so low that the inhabitants come to hate, not only genius,
but even talent.
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